(His loss is clearly felt on Procession and Domino Theory, with Victor Bailey replacing him.) This sound becomes paradoxically more and more idiosyncratic and complicated. The music became more progressive, funky, and complex, where the groove was decorated with all kinds of syncopated keyboard and saxophone charts, and Pastorius became the centerpiece of the band's sound, and its third composer. Pastorius made his first appearance with the band on "Black Market" and thereafter Weather Report became a different unit. This is the point where the bass-heavy groove began to dominate the band's sound, and rhythmic groove became the centerpiece not only for improvisation, but composition as well.ĭisc two kicks off with an unreleased live version of "Nubian Sundance" from 1974, with electric bassist ( Vitous had left by this point in time for a solo career) Alphonso Johnson who'd also played on Tale Spinnin'. While only "125th Street Congress" is included to round out the first disc, it is a mighty one, clocking in at over 12 minutes and showcasing for the first time the kind of deep funky groove the band was capable of the song included not only Vitous, but also electric bassist Andrew White, who played English horn on "Unknown Soldier" on their previous album. The real emergence of a new Weather Report sound began in 1973 with the underrated and classic Sweetnighter. There is one of two unreleased cuts from these years: a different version of Zawinul's "Directions" with sparks aplenty.
Moreira was in transition and Eric Gravatt entered the drum chair as Dom Um Romão became the band's percussionist. The band's sound got bigger and stranger on the classic I Sing the Body Electric disc from 1971.
#Weather report black market full version
The actual Weather Report tunes begin with "Milky Way," from their debut album, and continue with four more from that album, including the full version of "Eurydice." Weather Report was a free and progressive band which took its composer's frameworks and built floating, drifting, melding, sparkings of ideas into them members at this point also included bassist Miroslav Vitous, percussionist Airto Moreira, and drummer Alphonse Mouzon. The reason? Both men embraced concepts and tropes that became part of the Weather Report's method of working. Also here is Shorter's "Super Nova," from his Blue Note record of the same name, along with an excerpt of Zawinul's "Experience in E" with the Cannonball Adderley band (from Adderley's Domination). This short version of the tune was recorded by Davis, but according to Hal Miller's fantastic liner notes (there should be a Grammy nomination for these), Zawinul never gave Miles the intro for the tune, just the one-chord vamp his own version is very different. It actually commences on disc one with some of Wayne Shorter's and Joe Zawinul's pre- Weather Report ensembles, beginning with their joint membership in Miles Davis' band during the Bitches Brew era with "In a Silent Way." Zawinul composed it he and Shorter both played on it. Consisting of three CDs and a DVD of a phenomenal live concert from 1978 (with Jaco Pastorius and Peter Erskine on the Heavy Weather tour), this document considers every aspect of the band's career carefully and thoughtfully. Things take as long as they must, evidently, and Legacy has done an outstanding job with this set. In an era when box sets are so plentiful and are basically de rigueur for any major, and some not so major labels, it's virtually a wonder that a Weather Report box set didn't appear until the 21st century.
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